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ShaneP wrote:So this show went back to the JJ Kelvin lens flares and overall design?Don't over think it Shane
I thought this was a remaining of that re-imagining?
How can this be the Kelvin-verse if the Klingons look like….THAT?
ShaneP wrote:So this show went back to the JJ Kelvin lens flares and overall design?
I thought this was a remaining of that re-imagining?
How can this be the Kelvin-verse if the Klingons look like….THAT?
Kmart wrote:Would be interested in finding out how Nicholas Meyer went from sole teleplay credit for episode 2 to no writing credit on the episode at all. Would HAVE to be more interesting than watching part 1 was, for me anyway.He probably removed his name from it & has recently been downplaying his involvement as he is supposed to be developing his own Trek project. Meyer contributed to some great movie Trek's but he also has a very selective memory shall we say politely about certain behind the scenes aspects !
Kmart wrote:ShaneP wrote:So this show went back to the JJ Kelvin lens flares and overall design?
I thought this was a remaining of that re-imagining?
How can this be the Kelvin-verse if the Klingons look like….THAT?
They keep insisting this is the prime universe, and I guess the lensflareitis is being excused as what the 'modern' look is for SF now.
Kmart wrote:13 DAYS was the picture, there was a sequence when a US aircraft gets shot down that was done with a miniature out of doors. I remember doing an interview with somebody responsible for the shot (probably Ian O'Connor, for a couple years he was THE innovative pyro guy, even on shows he wasn't credited for like STARSHIP TROOPERS), but I don't think there was ever a published story.
I'll put Costner's ROBIN HOOD accent up against all these other accents as the platinum-plus standard for godawful accents. I did manage to fall asleep on the movie a couple times in the theater, but i remember that SOUND being what woke me up (might have been bad air in that particular theater -- I fell asleep on THE ROCKETEER there too.)